Jan.
1st, 1959-Fidel Castro,
edited by LeRoi Jones. New York: Totem Press, 1959.
Spring
& Soforth, as LeRoi
Jones. New Haven, CT: Penny Poems, 1960. Broadside. Penny Poems, no. 111.
Cuba
Libre, as LeRoi Jones. New
York: Fair Play for Cuba Committee, 1961.
The
Disguise, as LeRoi Jones.
New Haven, CT: Penny Poems, 1961. Broadside. Penny Poems, no. 155.
Preface
to a Twenty Volume Suicide Note . . . , as LeRoi Jones. New York: Totem Press/Corinth Books. 1961.
Four
Young Lady Poets, edited by
Jones. New York: Corinth Books, 1962.
Blues
People: Negro Music in White America,
as LeRoi Jones. New York: Morrow, 1963; London: MacGibbon & Kee, 1965.
The
Moderns: An Anthology of New Writing in America, edited, with an introduction, by Jones. New
York: Corinth Books, 1963; London: MacGibbon & Kee, 1965.
The
Dutchman, and The Slave: Two Plays,
as LeRoi Jones. New York: Morrow, 1964; London: Faber & Faber, 1965.
The
Dead Lecturer: Poems, as
LeRoi Jones. New York: Grove Press, 1964.
The
System of Dante's Hell, as
LeRoi Jones. New York: Grove Press, 1965; London: MacGibbon & Kee, 1966.
Dear
Friend, The Black Arts Repertory Theater/School . . . New York: LeRoi Jones, 1965. 1 sheet,
duplicated typed letter.
Home:
Social Essays, as LeRoi
Jones. New York: Morrow, 1966; London: MacGibbon & Kee, 1968.
Black
Art, as LeRoi Jones. Newark,
NJ: Jihad, 1966.
Slave
Ship: A Play in One Act, as
LeRoi Jones. Newark, NJ: Jihad, 1967.
The
Baptism, and The Toilet, as
LeRoi Jones. New York: Grove Press, 1967. Evergreen Playscript no. 10.
Arm
Yourself or Harm Yourself! A One Act Play, as LeRoi Jones. Newark, NJ: Jihad, 1967.
A
Poem for Black Hearts, as
LeRoi Jones. Detroit: Broadside Press, 1967. Broadside.
Tales, as LeRoi Jones. New York: Grove Press, 1967;
London: MacGibbon & Kee, 1969.
Black
Music, as LeRoi Jones. New York: Morrow, 1967;
London: MacGibbon & Kee, 1969.
A
Traffic of Love, as LeRoi
Jones. Pleasant Valley, NY: Kriya Press, 1967. Broadside. 100 copies.
Black
Fire: An Anthology of Afro-American Writing, edited, with contributions, by Jones and Larry Neal. New York:
Morrow, 1968.
Short
Speech to My Friends, as
LeRoi Jones. London: L. A. Wallrich, 1969. From The Dead Lecturer. New Year's greeting card, January 1969.
Black
Magic: Sabotage; Target Study; Black Art; Collected Poetry 1961-1967,
as LeRoi Jones. Indianapolis: Bobbs Merrill, 1969; London: Calder & Boyars,
1971.
Four
Black Revolutionary Plays,
as LeRoi Jones. Indianapolis: Bobbs Merrill, 1969; London: Calder & Boyars,
1971.
Answers
in Progress, as Imamu Ameer
Baraka. Newark, NJ: Jihad, 1969. Broadside.
A
Black Value System. Newark, NJ, Jihad, 1970.
J-E-L-L-O. Chicago: Third World Press, 1970.
It's
Nation Time. Chicago: Third
World Press, 1970.
In
Our Terribleness (Some Elements and Meaning in Black Style), by Baraka and Fundi (Billy Abernathy).
Indianapolis: Bobbs Merrill, 1970.
Raise,
Race, Rays, Raze: Essays since 1965.
New York: Random House, 1971.
Strategy
and Tactics of a Pan-African Nationalist Party. Newark, NJ: Jihad, 1971.
Kawaida
Studies: The New Nationalism.
Chicago: Third World Press, 1972.
Spirit
Reach. Newark, NJ: Jihad,
1972.
Toward
the Creation of Political Institutions for All African Peoples. [s.l.]: Black World, 1972.
African
Congress: A Documentary of the First Modern Pan-African Congress, edited, with an introduction, by Baraka. New
York: Morrow, 1972.
The
Floating Bear: A Newsletter, Nos. 1-38, 1961-1969, edited by Baraka and Diane DiPrima. La
Jolla, CA: Lawrence McGilvery, 1973.
African
Revolution: A Poem. Newark,
NJ: Jihad, 1973.
Black
People and Imperialism.
Newark, NJ: Jihad, 1974.
The
Concept of a Black United Front.
Newark, NJ: Jihad, 1974.
Creating
a Unified Consciousness.
Newark, NJ: Jihad, 1974.
Crisis
in Boston. Newark, NJ: Vita
Wa Watu-People's War Publishing, 1974.
Kawaida,
National Liberation and Socialism.
Newark, NJ: Jihad, 1974.
The
Meaning and Development of a Revolutionary Kawaida. Newark, NJ: Jihad, 1974.
National
Liberation and Politics.
Newark, NJ: Congress of African People, 1974.
New
Era in Our Politics: The Revolutionary Answer to Neo-Colonialism in Newark
Politics. Newark, NJ: Jihad,
1974.
Revolutionary
Party, Revolutionary Ideology.
Newark, NJ: Jihad, 1974.
Toward
Ideological Clarity. Newark,
NJ: Congress of African People, 1974.
Hard
Facts: Excerpts. Newark, NJ:
Congress of African People, 1975.
The
Motion of History and Other Plays.
New York: Morrow, 1978.
What
Was the Relationship of the Lone Ranger to the Means of Production: A Play in
One Act. New York:
Anti-Imperialist Cultural Union, 1978.
Am/trak. New York: Phoenix Bookshop, 1979. 126
copies. Oblong Octavo Series, no. 20.
The
Sidney Poet Heroical, in 29 Scenes.
New York: I. Reed Books, 1979.
Selected
Plays and Prose of Amiri Baraka/LeRoi Jones. New York: Morrow, 1979.
Selected
Poetry of Amiri Baraka/LeRoi Jones.
New York: Morrow, 1979.
Spring
Song. [s.l.]: David
Schulson, Painted Earth Editions, 1974. 126 copies.
Call
and Response. St. Paul, MN:
Toothpaste Press, 1980. Broadside. 85 copies.
Important
Sonnet. New York: Hard Press
[1980?]. Broadside.
In
the Tradition: For Black Arthur Blythe. [s.l., s.n.] 1980.
Reggae
or Not. New York: Contact II
Publications, 1981.
In
World War 3 Even Your Muse Will Get Killed. [s.l., s.n.] 1982. Broadside.
Collaboration. Grindstone City, MI: Alternative Press
[1982?]. Card.
Confirmation:
An Anthology of African American Women, edited by Amiri and Amina Baraka. New York: Morrow, 1983.
Daggers
and Javelins, Essays 1974-1979.
New York: Morrow, 1984.
The
Autobiography of LeRoi Jones. New
York: Freundlich Books, 1984; revised edition as The Autobiography of LeRoi Jones/Amiri Baraka. Chicago: Lawrence
Hill Books, 1997.
The
Music: Reflections on Jazz and Blues,
by Amiri and Amina Baraka. New York: Morrow, 1987.
The
LeRoi Jones/Amiri Baraka Reader,
edited by William J. Harris in collaboration with Baraka. New York: Thunder's
Mouth Press, 1991.
The
Amiri Baraka/LeRoi Jones Poetry Sampler: U.K. Tour, May 1996, edited by David M. Lambert. London: Satori
Press, 1991.
Thornton
Dial: Image of the Tiger,
essays by Baraka and Thomas McEvilley, notes on the works by Paul Arnett and
William Arnett. New York: Abrams, in association with the Museum of American
Folk Art and the American Center, 1993. Exhibition held at the Museum of
American Folk Art and the American Center, Paris.
Conversations
with Amiri Baraka, edited by
Charlie Reilly. Jackson: University Press of Mississippi, 1994.
Heathens
and Revolutionary Art: Poems & Lecture. Louisville, KY: White Fields Press, 1994. Heaven Chapbook 45.
When
Miles Split, with a woodcut
by Guy Berard. Canton, NY: Caliban Press, 1995. 120 copies.
Wise,
Why's, Y's. Chicago: Third
World Press, 1995.
Eulogies. New York: Marsilio, 1996.
Funk
Lore: New Poems, 1984-1995,
edited by Paul Vangelisti. Los Angeles: Littoral Books, 1996.
The
Fiction of LeRoi Jones/Amiri Baraka.
Chicago: Lawrence Hill Books, 2000.
Bibliographies:
DLB 5, DLB
7, DLB 16, DLB 38.
FPAA 1.
Letitia Dace. LeRoi Jones: (Imamu Amiri Baraka): A Checklist of Works by and about
Him. London: Nether Press, 1971.
Theodore R. Hudson. A LeRoi Jones (Amiri Baraka) Bibliography: A Keyed Research Guide to
Works by LeRoi Jones and the Writings about Him and His Works. Washington,
DC: [s.n.] 1971.
Paulette Pennington-Jones. Amiri Baraka: Bibliography, Biography,
Playography. London: TQ Publications, 1978.